Download Adobe After Effects 7.0 Studio Techniques by Mark Christiansen PDF

By Mark Christiansen

Able to examine the visible results suggestions used at such modern studios as commercial gentle + Magic and The Orphanage? Adobe After results 7.0 Studio concepts conjures up you to take your paintings to the subsequent point with real-world examples and insider suggestions. With this under-the-hood, in-depth consultant to Adobe's up to date movement images and results powerhouse, you will get whole insurance of all of the massive good points in After results 7.0: excessive dynamic variety (HDR) 32 bit in step with channel colour compositing, cinema preview and colour administration, a redesigned consumer interface, a brand new Graph Editor to animate utilizing particular translation curves, retiming results utilizing Timewarp, and dozens of different improvements. Get blockbuster effects with no the massive funds as you delve deep into the essence of visible results. This booklet is going past traditional step by step guideline, educating you bread-and-butter results for you to adapt and mix for numerous initiatives. genuine recommendations from genuine execs: study the ideas and technique used to create photographs for big-budget lighting tricks films.Compositing necessities: regardless of how refined the impression, all of them commence with an analogous development blocks. discover what you have been lacking approximately colour and light-weight matching, keying, movement monitoring, rotoscoping, operating with movie, and extra. complex recommendations: Your target may be results so stable that not anyone notices them. From sky alternative to explosions, from smoke to fireplace, learn how to deliver your photographs to lifestyles and improve scenes with no somebody ever realizing what they're seeing isn't really a hundred% real.Companion CD-ROM: expert instruments produce specialist effects. The book's significant other disc comprises lots of pattern tasks together with HD pictures from Pixel Corps and the Artbeats electronic movie Library, in addition to greater than a dozen plug-ins and courses so that you can use to accumulate and customise your personal results

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0 is native support for 16 bit per channel (bpc) and 32 bpc TIFF files; more on high bit depths can be found in Chapter 11. tga): This format has the dual advantages of being universal to most computer graphics applications and offering lossless RLE (run length encoding) compression, which looks for sets of identical pixels that can be losslessly grouped together (such as a solid color in the background or alpha channel). png): In many ways the most misunderstood of formats, PNG natively supports images of 8 or 16 bits per channel in Photoshop, and it often does the most effective job of losslessly keeping file sizes small.

There is almost always more than one way to get at the same setting or command, allowing you to develop your own preference. Keeping Sources Linked Because After Effects requires the presence of source footage files to operate properly, it's necessary to understand what to do when source footage files become unlinked. This problem arises particularly when you move a project from one location on your drive to another, to another drive, or to another computer or server altogether. Tip To reload footage that was updated in the background after you opened your project, highlight the item and choose Reload Footage from the context menu (or Ctrl+Alt+L/Cmd+Option+L).

Therefore, when importing still image sequences to use as moving footage, remember • Just because you've set your Project Settings to the proper frame rate (say, 24 fps for a feature film project), your image sequences may still import at 30 fps by default. You can change this default setting under Preferences > Import. • You can assign whatever frame rate you like to a footage sequence if you determine the default setting is not correct. • Just because an imported moving image file (such as QuickTime) has its own frame rate does not mean you cannot override this rate as needed by checking Assume This Frame Rate and entering a value.

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